Visual Music: Synaesthesia in Art and Music Since 1900 [Hardcover] Review - Comprehensive, Novel Approach to a History of Abstract Art!



Visual Music: Synaesthesia in Art and Music Since 1900
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Visual Music: Synaesthesia in Art and Music Since 1900 [Hardcover] Review



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Comprehensive, Novel Approach to a History of Abstract Art

By Grady Harp

VISUAL MUSIC is 1st and foremost a traveling exhibition currently ensconced within the Museum of up to date Art in l. a. and as an exhibition it's informative, enlightening, well curated, and a singular thanks to study the history of Abstract Art from 1900 to 2004. One enters the massive multi-room expertise with a stop in a very darkened theater where films dating back to the first a part of the twentieth century explore pulsating, rhythmic, liquid and explosive pictures, some in black and white, some in color, some 'illustrating' music from Brahms to Dizzy Gillespie and a few in complete silence. The works are by such experimental artists as Oscar Fischinger, Len Lye and Harvey Smith and also the films are restored admirably.



The remainder of the walk through this wedding or courtship of visual pictures and music includes copious works by Kandinsky, Picabia, Klee, Ciurlionis, Kupka and plenty of others, artists who sought to check the impact music has on the intellect and visual/aural 'synaesthesia' because the exhibition repeatedly explains. Some rooms are for framed works, alternative rooms for video kinds of digitalized art in motion, some are merely walls of lines and abstractions and others the idiosyncratic color organs - the true synthesis of visual art and musical performance. The works representing nowadays are from Jennifer Steinkamp in a chic installation, Cindy Bernard, and Jim Hodges.



Though this can be not meant to be a survey of an exhibition, knowing the presentation of this VISUAL MUSIC concept heightens the appreciation of the gorgeous catalogue that accompanies this show. From the splendid style parts to the luxurious color reproductions to the scholarly essays, this can be a book that's not a straightforward scan however a vital one. From Jeremy Strick's cogent introduction to the book through essays on the history of abstraction and also the concept of what stimulated artists to relate to music and why, to the numerous 'in defense of pure music' essay by Olivia Mattis, this can be a magnum opus on abstract art that's distinctive in each section. Kudos to the curators from the Hirschhorn (Kerry Brougher, Ari Wiseman) and MOCA's own Jeremy Strick. Grady Harp, May 05.

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Product Details Amazon Sales Rank: #964691 in Books Published on: 2005-04 Original language: English Number of items: 1 Binding: Hardcover 271 pages



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